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There is something deeply organic about John S Brana's designs, yet this natural look hides the obvious talent that goes into color combining, choosing just the right gemstones, and perfecting techniques to enhance the underlying themes of each collection. Here, he answers our top Jewelry Report designer questions...What are your favorite materials to work with?
I love working with copper. It’s an extremely malleable and lends itself well to fold-forming and anticlastic raising. Polished, it’s a very warm toned metal. It’s also is a great metal for patination and makes color variations endless. The high content copper brass also makes a great medium for patination.
I love working with copper. It’s an extremely malleable and lends itself well to fold-forming and anticlastic raising. Polished, it’s a very warm toned metal. It’s also is a great metal for patination and makes color variations endless. The high content copper brass also makes a great medium for patination.
What is your favorite design, and is this your best seller?
My tree branch gemstone rings in the Muir Woods collection is my most favorite design. As far as best sellers, it’s a close tie between the tree branch rings and the lily pad earrings. The Pacific Heights ring collection has also done very well due to the statement jewelry / cocktail ring trend.
How did you first get into jewelry art in general?I started working for Charles Schwab in 1997 as a financial consultant and by early 2000 was promoted three times to VP. It was really like riding out the perfect storm in that we went through a rapid Dot Com boom followed by a 50% recession-induced staff downsizing. It was a fast ride up to the crest and we even call it “Market Storm.” After 911, we were throwing everything overboard just to survive. I managed to survive three rounds of cuts, but in 2003, after experiencing the death of my father, I realized that I was missing that color and creativity from my childhood. So in reviewing my priorities, I developed a new life mantra of “Do what you love and explore what you’re a passionate about."
One weekend in 2003 it all clicked when I recognized a familiar face, Carol Duvall, the queen of crafting on HGTV. She demonstrated a relatively new Japanese product call PMC (Precious Metal Clay) which rekindled my passion for ceramics and design. It really brought back all of my high school shop class training in sand casting an metal fabrication, so my curiosity got the best of me and I started to read about traditional jewelry casting and fabrication methods. I began by making simple silver bands, then started to incorporate various gemstones, and branched into fusing fine silver and copper necklaces and bracelets.
Can you tell us more about the themes that run through your jewelry?
All of my collections are named after various areas and neighborhoods in San Francisco and Northern California. Each collection is then derived from elements in nature, San Francisco history, or architectural elements.
What do you have planned for future collections?Do you get more excited about the design or technical aspects of jewelry art?
It’s all about the design. If you want your jewelry to sell it has to be wearable and easy to maintain. In most cases my most simplest designs have proven to also be my best sellers. Most of the technically challenging jewelry I’ve seen isn’t very practical in terms of durability, but it makes a great coffee table book.Can you name another jewelry designer whose work you admire?
Robert Lee Morris and Alexander Calder – I admire their use of non-traditional metals – brass, bronze, patinas and textures – hammered, smooth, chased and contemporary designs.Do you find the process of experimentation frustrating or inspiring?
Very inspiring, especially when it comes to patinas and textures, and how the two influence each other. I could tinker all day long! Do you prefer doing retail or trade events?
Hands down…trade. Retail events have been quite challenging, given the current economic crisis. I have found it much more worthwhile pursuing the retail crowd on the internet vs. the traditional model of retail shows and events. My observations with retail events have been that attendees are out to be entertained and have a good time….not necessarily looking to spend money on accessories. Although traffic has been waning at both retail and trade shows, buyers are more serious at closing business at trade events. I leave the selling to the professionals (sales reps, boutiques, galleries, and jewelry stores), so that I can focus on what I do best…design.If you could have any jewelry super-power to help you with your jewelry what would it be?
Laser vision for fabrication.
Find out more about Handcrafted Designer Jewelry by John S. Brana at http://www.johnsbrana, or blog at http://www.johnsbrana.com/blog

